James Hall Creative

Austin, TX Tattoo & Fine Art


Thank you for your interest in my work! I get a lot of requests for a 'Frequently asked questions' page, so here it is! See something not addressed? Please reach out to my directly

I came across your work and through Yelp/Website/Social Media noticed there are a few locations? Where do you work?”
I get asked all the time and I apologize for any confusion. I work at the downtown studio of Shaman Modifications. We have a new North Studio ran by Pineapple. This North studio is a great addition to Shaman and works to serve our North Austin clientele. My downtown studio is an appointment based studio located three doors down from the downtown piercing studio, each respectively labeled with signs and door markers.
The downtown location, does it have parking?
This downtown studio does not have designated parking, but parking in surrounding neighborhood streets are fair game, unless otherwise noted. Comal is the cross street and most accessible.
I am thinking of getting a new tattoo and have a concept to develop, but I am not able to find or come up with what I want?
There are essentially two types of tattoo scenarios. A walk-in, which is a quick/straight forward tattoo, or an appointment based, which is what our studio requires.

Ideally we will have an interaction where we’ve discussed an idea and gone over a few photos that may inspire or help explain the tattoo. From there, I take all the information given, and go to the drawing table to explore the concept further.

I currently run and work in my studio that follows the appointment type timeline. Ideally we will an interaction where we’ve discussed a tattoo idea, maybe gone over a few photos that may inspire or help explain this idea; and from there, I take all the information given, and whatever creatively I have stored in my brain, and take the idea to the drawing table and explore your idea.

I will create a concept for our future appointment. During this process, some direction from a client is helpful. For example, instead of a floral tattoo, maybe a soft/realistic floral tattoo using garden flowers; or an asian themed flower tattoo on an arm. Specifics like this help me understand what I am trying to achieve.

As well, while I do not mind input, I do ask for creative freedom. I want to ensure my client and I are both happy and I can maybe push the borders of what my client is thinking into something new, fun and original. With that, I do A LOT of research per tattoo, big or small, I am always looking at references for something from different cultures, different art forms, and even my fellow tattooers. I try to use these materials to help me focus on a specific item, or feeling in a tattoo and turn it into something thats fits my artistic preferences as seen in my portfolio and online work. Most people come to me having seen my work and would like something similar. That comment most likely comes from them enjoying my artistic preferences, and all work that is published through my social media or website, is completely from my own making.

I always have the most fun and seem to do my best when the ball is in my court.
Ive noticed many artists seem to have preferences in their tattooing, whats your preference?
I enjoy most all of the tattoos I am approached with, I am always interested in someone’s idea and taking responsibility to make it something worthwhile. I tend to enjoy natural subject matter the most. I spend my free time in nature and enjoy using subject matter, color schemes, ect. that I find and using that as mental reference for my tattoos. I choose the projects I do specifically as either something I am really interested in, or a challenge to my skill set.
I really like your portfolio, and am interested in a tattoo by you. Do You have ideas that you would like to tattoo specifically?
I am always excited for something new, especially when someone approaches me with the ball in my court. I have things I come up with here and there when doodling or passing time that I would like to create. I will usually offer these up as someone approaches me simply wanting a neat new piece, or with a matching concept to one of my ideas; ex. if someone came to me and wanted a watercolor rose, or an illustrative bird, I have created some drawings previously that match this idea and would love to do it!
Can I just come in for the tattoo? How do I go about booking an appointment?
I touched on this slightly earlier, but can explain a little further. I work in an appointment based setup, where I meet or am contacted by someone who has an interest in my work. Once contacted, we will normally set up a consultation to discuss details, gather a deposit to secure the appointment date, and answer any questions that either of us may have.

Please send me an email to coordinate a consultation, appointment or any questions.
How do deposits work? Will I be able to have my deposit back?
After we discuss your tattoo idea, and are both comfortable with moving forward, I will gather a deposit once we settle on a date for the appointment. This deposit is $80 and will go towards the final cost of the tattoo during the last appointment.

The deposit however, is non-refundable and simply guarantees that my time leading up to the appointment is not a complete loss should someone not show for a scheduled appointment. That being said, I am fairly lenient and understand that things happen. With enough notice I do not mind re-schuling a current appointment should something occur. I require at LEAST a 24-hour notice if not more, for a successful reschedule, Otherwise I will need a new deposit to secure a new appointment and the current deposit forfeited.

Simply put, this is how I make a living. Again, I do understand things happen and each situation will be handled at my discretion.
How much does a tattoo cost?
I simply charge by time, at $150/hr. While other tattooers charge differently this is what seems best for myself and clientele with a consistent and transparent scale on how this is measured. I tend to work efficiently, and can usually give a fairly accurate idea on time of a project before hand.

Each project differs vastly based on size, detail, and the final look we are trying to achieve. Three tattoos all similar in size, one in just line work, one in black and grey, and one in color, could all vary in price depending on the specifics or complexity of each.
I am nervous about the tattoo process, what should I expect? Is there anything I should bring to my appointment?
Almost every time I start a tattoo, even on a first-timer, its almost always the same; “This isn’t nearly as tough as I thought!” You’ll hear all kinds of stuff from friends about tattoos. Either they don’t hurt one bit, or they’re the worst. I personally think they’re both exaggerations and while some discomfort is expected with any sort of skin trauma, for the most part tattoos are tolerable and usually described as more “annoying” than painful. Some areas on the other hand do tend to be quite sensitive, most notoriously the foot and ribs are examples of some more tender areas.

There is nothing specific you NEED to bring to the studio. I always recommend that you eat and sleep well before hand to help ensure your body and immune system are ready for the appointment. Staying hydrated and bringing a snack for blood sugar is always helpful as well for longer sittings.
Can I bring a friend(s) with me? I am nervous/excited and enjoy company.
We have no issue with bringing a friend or a loved one. I do prefer to keep this to a minimum (1-2 guests, unless otherwise discussed for multiple tattoo subjects), as our studio is smaller than most according to our preference of a small, personal studio space. We also ask to be courteous of others in the studio who may also be tattooing, or getting tattooed and keep a reasonable volume amongst ourselves. I enjoy meeting and talking to people throughout the tattoo process and encourage socializing, while being respectful to my studio mates as well.
Can bring my dog?
While I am dog lover, we cannot allow pets in our studio. This happens rarely, but I am always sad to deny entry because of this. We follow the highest safety standards possible and pets simply cannot guarantee sanitation nor are allowed in by the Health Department.
My tattoo is on a difficult to reach area (ex. ribs), what should I wear?
This is a good question. Often I am approached for various tattoos (ribs, “under-boob”/sternum, torso, hip, back, foot, ect.) and not everyone comes quite prepared for these areas. Some areas maybe be simple and for a foot tattoo may simply require the removal of footwear. Other areas like the torso or hip are generally less accessible in daily clothing and require the removal of excess clothing to easily work on a designated area.

I do not have a need to make myself, or my clients, uncomfortable in my studio. In fact, I have worked hard to keep a comfortable, high end studio allowing for a very easy going experience. There are times with difficult to reach tattoos were some clothing, rarely all, will need to be removed. I will do my best to ensure you are comfortable, covered and not overly exposed. Please be sure to wear clothing appropriate for the tattoo or understand that, torso or sternum tattoos for example (on men and women), may require the removal of a shirt, ect.

Discuss this with me prior to the appointment for questions or concerns.
How do big tattoo projects work?
Tattoos take time. Even some small-medium size tattoos I’ve seen which were very well done, took hours. Large tattoos (half-sleeves, full-sleeves, “thigh-pieces”, and back-pieces, ect.) take some time. Anywhere from 12-40 hours on big projects.

Usually large pieces are completed in multiple sittings. Most people can comfortably handle around 4 hours per sitting during tattooing. After then your body starts to wear down, so unless we have planned specifically for a larger day; most of my appointments are in this range allowing us to get the most work done in the most comfortable amount of time. This is repeated until completion with sittings being a minimum of two weeks to a month apart based on healing time, budget, and scheduling. I can get a fairly good estimate on how long (and how many sittings) I think a large piece we start will roughly take.

For large projects I do request a timely reoccurring appointment so that we can finish a piece.
Now that I have my tattoo, what does tattoo maintenance look like? I've heard tattoos can fade over time. How do I ensure mine will age well, and what is a good regimen for my tattooed skin?
I have two healing methods (see “Aftercare” tab on website), which explain the healing process thoroughly. I will also go over the method needed for the tattoo after our appointment as well as send the instructions needed.

For longevity, I use the pigments I trust for my tattoo ink, which over the years has greatly improved and this gives us the best chance at making a long lasting tattoo. Once the tattoo is completed and healed, the rest is up to you. Your skin is constantly exfoliating and regrowing new cells. Taking care of your skin by regularly moisturizing it and using sunscreen or avoiding heavy sun exposure are things you can do in your daily life to ensure the tattoo lasts as long as possible.
Ive noticed many artists seem to have preferences in their tattooing, whats your preference?
I enjoy most all of the tattoos I am approached with, I am always interested in someone’s idea and taking responsibility to make it something worthwhile. I tend to enjoy natural subject matter the most. I spend my free time in nature and enjoy using subject matter, color schemes, ect that I find and using that as mental reference for my tattoos. I choose the projects I do specifically as either something I am really interested in, or a challenge to my skill set.
Do you do small tattoos?
I don’t do small tattoos often unless they fit into little holes I may have in my schedule here and there. I think when done well, small tattoos can be just as neat as large tattoos and I often find myself having fun when playing with little details.
I am interested to know more on finger tattoos?
Finger tattoos have become more popular. If you search online and try to find HEALED photos, there are not many that hold up well. These tattoos tend to spread fairly quickly and looked “Aged” shortly after completion. While great in theory, I generally would encourage someone to commit their keepsake idea into another area or something more visually appealing to the body art medium. That being said I can and will do them under the understanding they often don’t work and may require two or three passes to hold, if at all.
Do you white ink?
White ink works similar to the above finger tattoo question. These are considered a “temporary” tattoo and tend to not last. Gathering some healed photos will show a white ink tattoo in a more realistic perspective. Every once in a while the person with perfect skin has been able to get a white ink tattoo and on a few occasions, even get a larger white ink tattoo that healed well. White ink, most of the time, has the subtle look of a scar and is rarely if ever “white,” usually appearing as a lighter skin tone.
Do you do backlight/uv ink tattoos?
The brand of ink that I use, Eternal Ink, does not currently make a UV/Blacklight tattoo ink. Therefore I myself do not do them but I know a few people who do, and do them well if need be.
Where do I begin when looking for a tattoo artist?
Most people at some point decide they are comfortable and confident enough to gain interest and commit to a tattoo. This process can be a challenge as a specific tattoo could spark your interest, or you could have an idea and don’t know how to even start bringing it to life.

I encourage EVERYONE to do their research! It is very important to yourself that you find someone who is not only reputable, but has a strong portfolio that fits your wants and needs in a project. Today there are many different outlets in ways to search, find, and follow artists from all over the world. I am lucky enough to be friends with many people I see floating around the world and there is tons of good material. In research, you should be able to find a few people that have a style, or a tattoo, or overall aesthetic that is visually pleasing and could potentially match what is in your head. Every artist works differently, so next I would encourage you to find these people and contact them via email, or in person if they happen to be in your city. Talk with them and see how it goes. I've heard bad stories, and experienced a sadly common obstacle in that sometimes an artist, or a client, don’t seem to click with the idea in one way or another. I would suggest looking further, go to the next person on your list or ask around. I've seen some really awesome concepts be put in by the wrong artist, or simply by someone who it wasn’t their creative preference.

Do your research and be patient.

Good tattoos cost money. Rarely have I seen what I would consider a GREAT tattoo, and thought to myself, “wow, you got a deal.” Most of the time that internal conversation is closer to me simply understanding that the person obviously went through the steps in collecting a great tattoo, and allowing an artist to bring their work to life based on the portfolio that probably caught the clients eye.
I like your portfolio, but nothing that quite matches my idea. Would you recommend anyone?
I try to be as versatile as possible, while still keeping my artistic goals in sight. Occasionally I do a piece that isn’t in my norm, (ex: Heavy line work based image, Japanese influenced art, ect.). I select these projects based on my current interest. Every once in a while I am approached with a challenging idea, or see something in the process that is useful to me as an artist.

Being said, I do not do every kind tattoo. For example, a traditional style tattoo (like the classic Sailor Jerry imagery) is not my forte. Though I have done quite a few, I know artists in town that do amazing Traditional work. Same being said for other styles. Most of this you will find in your research as mentioned above, but I always offer myself as a research tool when direction is needed, and I am happy to help. I would rather get someone in contact with the right person for the job, rather than see another bad tattoo that was easily avoided.